My Barium Meal
         Shelflifes
         Undercover
         Meatheads
         Preying for Modesty
         Honest orifice
         Dorsals
 


      Books
      Films
      Exhibitions
  













Bodyscan, 2017

Made with salvaged and discarded scraps of 35mm still photographic film, Bodyscan collects
flashes of potential image, whilst the sound waves embrace a physicality as they propagate
between ears.


... like colours felt when eyes are pressed closed with palms...


This film is part of an audiovisual collaboration between Alexandra Spence and Katrina Stamatopoulos




bodyscan, 2017
digitised 35mm film with sound, 3 mins 38 secs
collaboration with artist Alexandra Spence












Transmission ring, 2015

Acknowledging and embracing the unique interactions that take place between movement/ vision,
sound/ vibration, this film is located between signals, objects and bodies that are present amongst
city spheres.

The sensations of this film travel through and amongst flesh, mechanics and ideals of beauty.
Whilst the sounds, sourced from electro-optical & electromechanical devices such as radio towers,
power stations and mobile phones, reference the elusory electromagnetic spectra of our cities.



This film is part of an audiovisual collaboration between Alexandra Spence and Katrina Stamatopoulos


Transmission ring, 2015
Digitised videotape and super 8 with sound, 6 mins 44 secs
Collaboration with sound artist Alexandra Spence










WindUpBird, 2013

Built intuitively upon and in relation to its sound world, WindUp Bird is based upon found 16mm footage
that has been sourced and collected from eBay. Uncertain of its age, content and history, the correlating
films have developed into a far away journey, appearing so close as if it to be dreamt or imagined.



This film is part of an audiovisual collaboration between Alexandra Spence and Katrina Stamatopoulos



VIDEOFOCUS Stigmart10, interview pg 25
https://issuu.com/stigmart10press/docs/stigmart_videofocus_special_issue_n

Wind Up Bird, 2013
digitised 16mm film with sound
6 mins 35 secs
audiovisual collaboration with Alexandra Spence








Graphs, 2013

Super 8 film digitised with sound
sound by George Nicholas, 2013




 









Subrealities, 2012
Digitised super 8 film


Sound by Martyn Riley, 2020:
https://tokoro23.bandcamp.com/track/subrealities?fbclid=IwAR05I7ssdutXcnUimE-TmrIibmV0Srnw-twFCjrvPuWU85QvwGcNUrdQJmU